Thursday, March 15, 2012

Libyan govt shelling kills 4 as aid ship docks

MISRATA, Libya (AP) — Moammar Gadhafi's forces showered the port area of this besieged rebel city with rockets just minutes after an international aid ship docked there Wednesday, killing four people as part of the regime's increasingly bloody attempt to choke off Misrata's remaining lifeline.

The attack caused panic among hundreds of stranded migrant workers and fleeing Libyans who were trying to board the Red Star One, a ferry chartered by the International Organization for Migration. In the chaos, some families were separated and the boat had to redock twice to sort it all out.

The timing of the shelling suggested Libyan forces were deliberately trying to disrupt the …

Hiller helps Ducks keep winning at home

Jonas Hiller is making it easy for the Anaheim Ducks to quickly forget about traded goalie Jean-Sebastien Giguere.

Hiller made a season-high 46 saves on Wednesday in a 3-1 victory over the Detroit Red Wings, which extended the Ducks' home winning streak to nine games in the NHL. It was Anaheim's second game since signing the 27-year-old Swiss netminder to a four-year, $18 million contract extension and trading Giguere to Toronto the following day.

On Monday, Hiller stopped 33 shots in a 3-0 victory at Florida. He is 11-3 with a 2.12 goals-against average and a .935 save percentage in his last 14 games, leading a surge that has put the Ducks into playoff …

QUOTEWORTHY

"I'll be back. Maybe I can come back and hit 100 home runs. I'llbe like Lance …

Wednesday, March 14, 2012

'Cougar Town' returns to TV after 9-month hiatus

NEW YORK (AP) — Courteney Cox likes being part of a team. She loved being part of an ensemble on "Friends" and feels the same way about the direction her show "Cougar Town" has taken on ABC.

It debuted with Cox's character, Jules, as a 40-something divorcee who dated younger men and quickly moved away from that to focus on her relationship with her friends.

"I think all successful shows are ensembles," Cox said Tuesday in an interview with co-star Josh Hopkins. "It seems like you have to be supported by somebody. You can't just come out and do a one-man show."

Cox, Hopkins and the rest of the "Cougar Town" cast have been on a whirlwind promotional tour for the show's …

Kia Sportage gets poor rating for roof strength

The Kia Sportage sport utility vehicle received poor ratings Tuesday in new roof strength tests designed by the insurance industry to give consumers a better sense of how their vehicles might perform in a serious rollover crash.

The Volkswagen Tiguan, Subaru Forester, Honda Element and Jeep Patriot received top scores among a dozen small sport utility vehicles tested by the Insurance Institute for Highway Safety.

The Suzuki Grand Vitara, Chevrolet Equinox, Toyota RAV4, Nissan Rogue and Mitsubishi Outlander received the second-highest score of acceptable. Roofs on the Honda CR-V and the Ford Escape merited the second-lowest rating of marginal.

The …

Daisy Pulls It Off Next Stage Youth Mission Theatre, Bath

Daisy certainly pulls it off in Next Stage Youth's ambitiousproduction of Denise Deegan's ripping yarn, a comedy traditionallyplayed by adults in the role of children.

Set in a posh boarding school in the 1930s, Daisy Pulls It Off isa parody of the likes of The Famous Five or Angela Brazil's schoolstories.

There is snobbery, larks in the dorm, a hunt for hidden treasureand a dramatic cliff rescue after a midnight feast has gone horriblywrong.

All these jolly japes are accompanied by a perfectly toppinglitany of expostulation - all that's lacking are lashings of gingerbeer.

Next Stage Youth has taken the unusual step of producing thiscomedy …

Ex-Con Guilty in Fla. Girl's Slaying

MIAMI - A sex offender was found guilty Wednesday of kidnapping and raping a 9-year-old girl and burying her alive in a case that led to a crackdown around the country on people convicted of sex crimes. Jurors deliberated about four hours before returning the verdict against John Evander Couey in the slaying of Jessica Lunsford, who was snatched from her bedroom in February 2005 about 150 yards from the trailer where Couey had been living.

Her body was found in a shallow hole, encased in two black plastic trash bags. She had suffocated and was found clutching a purple stuffed dolphin.

The jury next must decide whether Couey, 48, should get death by injection or life in …

Senate puts off vote on omnibus spending bill

The Senate has put off until next week a final vote on a $410 billion catchall spending bill.

Senate Majority Leader Harry Reid says he is one vote short of the 60 votes needed to advance the measure. The Nevada Democrat has now decided to allow Republicans more opportunities to change it next Monday.

Reid said Thursday night that both the House and the Senate will now have to pass a stopgap …

Mourners gassed in S. Africa

CAPE TOWN, South Africa Police fired tear gas into a churchSaturday to disperse peaceful mourners who defied police restrictionsto honor two black anti-apartheid activists killed last month in abomb blast.

The Rev. Richard O'Rourke said police used dozens of canistersof tear gas to break up the traditional post-funeral meal attended byabout 500 people at St. Matthew's Catholic Church in Bonteheuwel, amixed-race area outside Cape Town.

"The people couldn't get out of the church so they broke downthe emergency doors and came into (an adjoining) house," O'Rourkesaid. "Every time the people tried to go out, they were beaten backtime and time again."

Later, …

Video Technology At The Service Of Science And Education


"At the beginning it was not so easy," says the company director, Mark Traisman. – “I liked the work, our studio promoted the latest achievements - innovations of space exploration, aviation, shipbuilding, and other world-famous super-high-tech industries.
And we decided to go back to our main task: shooting training and educational films. We shot a video course of laboratory works in physics and distributed tapes to few schools. Testimonials have surpassed all expectations: many schools have ordered the movie; the parents also purchased it for their children. Even tutors, preparing students for admission to prestigious universities, purchased our CDs. School principals called to our studio, asking to shoot training aids for other school subjects.
As consultants we brought experienced teachers and began production of visual teaching aids for mathematics, chemistry, astronomy, and natural history. It is particularly pleased that our films firmly established throughout the world. The studio promotes culture; many movies are devoted to history, music, and museums. Recently, the studio pays a lot of attention to topical issues. For example, the video "The Right To Life," clearly and convincingly demonstrating the drugs harm. The creators of this film emphasize that we must fight the "plague of the XXI century" only together. The film "Son of Man” based on the book of Alexander Men’ is dedicated to the need to respect each other, rethink relations in the society.

Mark Traisman remembered a warm welcome in Moscow, which he visited with the delegation. There were "Days of Slavonic Culture". "On behalf of the Prefecture, we were given a few videos on the history of Moscow, on the museums of the capital, a number of films about the Great Patriotic War," says Mark.

N. Korea Apparently Preparing Nuke Test

SEOUL, South Korea - Satellite images indicate North Korea appears to be getting ready for a second nuclear test, officials said Tuesday, as the defiant communist regime held huge rallies and proclaimed that U.N. sanctions amount to a declaration of war.

China, the North's longtime ally and biggest trading partner, warned Pyongyang not to aggravate tensions in the wake of U.N. condemnation of its Oct. 9 atomic blast. And U.S. nuclear envoy Christopher Hill told reporters in Seoul that another nuclear explosion would be "a very belligerent answer" to the world.

As the White House acknowledged that the isolated nation might try a second test, Secretary of State Condoleezza …

Attorney says runaway convert has nothing to fear

Nothing in a police report supports the belief of an Ohio teenager that she would be in jeopardy if she returned home, despite her claims that she fears for her life for converting from Islam to Christianity, her mother's attorney said in court Thursday.

The police report, which was ordered sealed for 10 days by a Florida judge, contains the results of a two-week investigation by the Florida Department of Law Enforcement into Rifqa Bary's family and her home life. The 17-year-old ran away from her parents' home in suburban Columbus, Ohio, in July, saying she feared being killed for changing religions. The family immigrated from Sri Lanka …

Officials make sure Fisk has his Day

By proclamation of Gov. James Thompson and Mayor Richard M.Daley, Wednesday was Carlton Fisk Day in Illinois and Chicago. Itwas Fisk Night at Comiskey Park, in recognition of his White Sox andmajor league home run records.

Sox catcher Fisk was presented with a photo plaque of memorablemoments from this season, a gold watch and a ring especially createdby Sox management. In a short pre-game speech, Fisk thanked bothmanager Jeff Torborg and former manager Tony LaRussa, now withOakland. Wednesday's crowd was so large - swelled by Straight A coupon night- that many of those who did get into Comiskey Park did not have aseat. Officials turned away many with coupons and …

HOME SWEET HOME

1419 N. 13TH ST.

3944 SQ. FT.: 4 BEDROOMS, 3� BATHS

.14 ACRE

BUILT IN 1910

$799,000

BOISE RIVER PROPERTIES: DIANA BARELA 208-871-0638, INFO@BOISERIVER.COM, WWW.BOISERIVER.COM

This comer property is fully fenced with chain link filled in with roses, ivy and butterfly bush, and a Victorian horse pedestal mailbox sits just inside the front gate. This is a two-story Queen Anne-style house decorated in white, green and maroon with a columned, curving, covered porch. What a great place to sit and watch the hustle and bustle of Hyde Park through a screen of mature plantings. The beautiful stone foundation is typical Queen Anne, and the original front door-with working doorbell, sidelights and transom-leads into a front entry with an archway ahead and another pillared archway to a parlor. The parlor features an exquisite fireplace surrounded by tile with two oak mantels and an inset mirror and a 10-foot coved ceiling. Off the parlor is a full bathroom. Another archway leads to a big family room with a door that leads to the end of the porch.

Opening off the family room are the deep rose-colored master bedroom and a hunter-green office. Between the hall and the kitchen is a second full bathroom that, like all the aforementioned rooms, is floored In glowingly refinished dark original hardwood. The doors, trim and eight-Inch baseboards are made of the same hardwood, and there are picture rails and several pocket doors.

In the remodeled country kitchen, the appliances are stainless steel, and there's a breakfast counter with stools and an attractive tile backsplash. A dining room table fits easily in the corner. Carpeted stairs lead up from the kitchen to a second floor featuring two bedrooms, a bathroom and a TV room. All the bathrooms In the home are remodeled.

Stairs also lead from the kitchen to a most amazing basement with a wine cellar, a library with built-in bookcases, an oversized window, a utility room and a half bath. In the basement, there's also a British pub. Yes, a British pub. Its centerpiece is an elaborate dark wood and granite bar flanked by pillars. Along the walls are built-in shelves and places fortwo large TV sets. One set is surrounded by overstuffed furniture, and the other is visible from the bar. There is also a built-in dartboard. The floor is covered in earthy yellow, rose and brown tile, and there's a door that leads to the back patio.

Back up in the bright kitchen, a glass door leads down to the cozy covered back patio, which is shielded on the south by a luxuriant grape vine. Beyond lays a small garden space and a gate to the alley.

Off the patio, a door opens to an oversized, finished two-car garage with a luxurious apartment above: an 800-square-foot space, painted hunter green and lit by several windows and skylights. Two sleeping nooks hide behind rich, elaborate drapes. The living room and kitchen ceilings are vaulted. There's one bathroom with a big bright shower lit by a skylight.

The side yard has a number of foundation plantings, and two huge fir trees shade the front yard. The parking strip is filled with wood chips and several flourishing street trees. The rest of the yard is watered by automatic sprinklers. The electrical service, air conditioning, plumbing, roof and paint were all redone three years ago.

Pros: All the original interior wood preserves the Victorian era. The parlor fireplace is the most beautiful I've ever seen. I love the deep, rich green and rose decor. The back patio is private and inviting. The basement pub begs for parties. The apartment could probably be rented for as much as $1,200.

Cons: There's a large window in the basement, but it's not low enough to be an egress window. However, the door to the back yard may suffice.

Tuesday, March 13, 2012

Listening to the shapes of collaborative artmaking

or the last 4 years, five women artist-teachers1 and I have been examining gender issues in art education through an action research project2. The collaboratively designed project has enabled us to consciously integrate theory, practice and research not only for the practice of teaching but for the practice of artmaking. Recently, we collaboratively created an installation quilt for a group exhibition. The work was designed to symbolize many things, including: our social concern for gender issues, our collaborative processes, and our sense of community as artistteachers. In the following account I wish to share my reflections upon our installation not only as a visual-centered product but more importantly, as a listener-centered process. To do this, I integrate ideas from the artworld, such as connective aesthetics (Gablik, 1995) and enlightened listening (Levin, 1989) with ideas from feminist pedagogy (Sandell, 1991), including caring, connections, community, modeling, dialogue, practice and confirmation (Noddings, 1984, 1992). These ideas are richly connected and supportive of one another and may offer teachers interested in gender issues, and other social issues, a view toward a listenercentered pedagogy and artmaking. I begin by exploring connective aesthetics since a collaborative strategy for achieving such an aesthetic is a listener-centered practice of artmaking. CONNECTIVE AESTHETICS Recent collaborative work among artists has created new forms of art that concentrate on social creativity (Gablik, 1995) rather than on self-expression and the agency of the individual. In modernist art, the isolated genius who worked in his or her own studio space, separated from and completely independent of others, created work that was "art for art's sake," thus removing art from a social conscience. In a postmodern era, a shift is occurring from a locus of creativity within an autonomous individual to that found within dialogic collaborative, interactive, and interdependent processes. Gablik (1991) is an advocate for looking at art in terms of social purpose rather than visual style, thus nurturing a connective aesthetic.

In a connective aesthetic, enlightened listening (Levin, 1989) which seeks shared understanding, would encourage each of us to recognize and understand our interdependence as we give voice to ourselves and to others. Gablik (1995) speaks to this: "Giving each person a voice is what builds community and makes art socially responsive. Interaction becomes the medium of expression, an emphatic way of seeing through another's eyes" (p. 82). Art that is listener-centered rather than visioncentered (Levin, 1989) is founded upon dialogue and conversation in which one listens and is listened to. It means that artists stress interaction and relationship rather than art objects by cultivating a compassionate relational self who welcomes the Other as a beginning toward healing ourselves and our world (Lippard, 1995). Connective aesthetics resonates with the attributes of feminist pedagogy. FEMINIST PEDAGOGY

Pedagogy is a concept that draws attention to the processes through which knowledge is produced. Pedagogues consciously create learning experiences that organize and disorganize understandings of the world in particular ways in order to involve others in knowledge creation (Giroux & Simon, 1989). To do this requires a particular stance that evokes a relational significance. Pedagogy as relationship (van Manen, 1994) embodies tact (van Manen, 1991), respect, thoughtfulness, caring, concern, connection, and nurturance (Martin, 1992). The relationship between learner and pedagogue therefore becomes the unifying element for a caring community of learners. Borrowing from Noddings' (1984, 1992) notions of care, one recognizes that a caring relationship within a moral education is built upon modeling, dialogue, practice, and confirmation. These are the attributes and power of feminist pedagogy.

Renee Sandell (1991) and other art educators (e.g., Collins & Sandell, 1996; Zimmerman, 1990) have discussed feminist issues within the fields of art and art education. Sandell, in particular, has written about the potentialities of feminist pedagogy for the field of art education. Using feminist thought as a basis for pedagogical decisions, strategies are created to empower the self, build community, and encourage leadership while enacting social change. Recognizing that all experience is gendered, feminist pedagogy (see also Irwin, 1997) seeks to transform social and institutional relations through the removal of oppressions inherent in societal structures, stereotypes, and prevailing ideologies. Although feminist pedagogy is concerned with gender relations, it is not limited to that critique. Creating a liberating learning environment promotes a democratic process wherein learners are directly involved in an inquiry process. Sandell suggests that recognizing the self-as-inquirer is a useful approach to involve students in posing and answering questions, and learning and creating knowledge. Pedagogues and learners alike become actively involved in the act of inquiry within an interactive environment of collaboration.

LISTENING TO THE SHAPES OF COLLABORATION Connective aesthetics and feminist pedagogy overlap in many ways. Both are concerned with collaboration, community building, caring, social purpose, listening, dialogue, modeling, taking responsibility, nurturing, and social action. Both are also changing the world. On a theoretical level, bringing these aesthetic and pedagogical ideas together seems natural. But how might these ideas be seen and heard in practice, particularly within an art education context? As a result of reflection upon a recent art exhibition in which we created a collaborative installation piece, I realized how powerful these ideas can be for art educators, professionally and symbolically. It is difficult to share here a keen sense of our verbal dialogue.3 However, I can share excerpts from discussions in which two members of the group reflect on images they created for the quilt Although these excerpts represent a small portion of our dialogues, they exhibit the kinds of learning each woman experienced as a result of working with other women in a project designed to examine gender issues. HELEN Of the six pieces that I made for the quilt, the one that embodies the most meaning for me has the image of the pears on it The pears, both halved and whole, are visual metaphors for many aspects of feminism. Visually, the pear shape makes reference to the uterus: symbolically, the pear represents nurturing, caring, passion, and desire. As a fruit, the pear calls up the cycles of the seasons; spring with rebirth, summer with growth, fall with harvest, and winter with rest The halved pear exposes the seeds which if nurtured will become the fruit Nurturing, as a concept, is largely what shapes my teaching style, but so does the concept of making the ordinary extraordinary. My relationship with a pear becomes pivotal to what it will become. Feminist pedagogy recognizes the importance of relationships in teaching and as a result, the daily stories of our ordinary lives and the lives of our students become important, each story needing to be told and heard in order to enhance our understandings of ourselves and of each other. WENDY In this quilt triangle, I have tried to portray what I see as the development of feminist consciousness over approximately 75 years as represented by the attitudes and approaches of my mother, my daughter, and myself. The lettering "We are other" represents my mother's generation of women who assumed society was organized for the benefit of men, with women expecting to serve in a support role rather than living life according to a vision they created for themselves. I've used the word "preconsciousness" to represent this position. For my mother this meant not daring to become a P.E. teacher.

"Constructive consciousness" is the statement I have included to represent myself and those of us who came of age in the bra-burning era and who believe "We are not other," but rather that we should be working toward a society that values equal participation of women and men in the mainstream and of shared responsibility for home and family. "Direct action" is the term I have used to represent those of my daughter's generation who believe that women's voices won't be heard and acted upon until men and women are equally represented in the political process. These are the young women who are doing whatever is necessary to become politically involved. "We are central" represents their acknowledgment that women's contributions are required to make the significant changes needed to create an inclusive society that aims for the well being of all. Simply stated, the above excerpts portray women who, over time, nurtured themselves and others through acts of speaking and listening in a group while creating images with deep meaning. For many of us, involvement in this project called us to work collaboratively in a domain where we had been trained to work independently of others. We learned to listen to the shapes of collaborative artmaking. By listening to others our understanding of the world increased. Looking back over our collaboration, I began to reflect on the process of listening and how that process resonates with feminist archetypal shapes. Metaphorically, we visioned ourselves as quilters stitching together pieces of life stories, fragments of memories, aspirations, and intentions. In the act of speaking or listening, we celebrated our differences, our needs to reach within and find ourselves, yet we also celebrated being together in the act of making meaning. Our collaborative quilt (see also Stein, 1996) symbolizes our multiplicity within unity. When the quilt is draped across the oval table we have gathered around for dialogue, it symbolizes our circular unity and our desire as women "pedagogical-artists" (Robertson, 199D to find and/or to create unity within community. Our chairs represent our psychological selves, sitting as we have so many times before, in a circle equidistant from one another. The circle, as a shape, has been important to our process of collaboration: "The unity signified by the circle is a central unity in the sense of the lived space of shared beliefs that are meaningful not only in a fragmentary way but also fully and integrally" (Brenneman & Yarian, 1982, p. 31). We each viewed ourselves as important co-contributors to discussions and artmaking. Each of us shared stories of our gendered world, and each continue to collect stories that motivate us to enlarge our understanding of interrelationships among and between men and women. It was only as a result of the hours of listening and being listened to that we came to appreciate the depth and complexity of our acquired understandings. We wanted to share this new awareness through a process that resonated with the message. It was then that we decided to create a quilt Not a traditional quilt. Not a quilt whose design was predetermined by one member of the quilting group. Rather, we formed an aesthetic partnership wherein we designed and redesigned our collaborative work in and through time spent together. Our aesthetic partnership developed through a listeners' paradigm. We learned from one another and came to collaborative decisions.

The quilt speaks of quilted stories, quilted lives, quilted issues facing men and women in our gendered world. Each triangular piece is stitched, glued and appliqued into the quilt just as the complexity, diversity and multiplicity of our lives search for coherence and unity. The triangular shape, at first taken from a simple table napkin in our everyday lives, soon took on greater significance as we learned through research that in ancient Egypt the triangle was the hieroglypic sign for woman (Walker, 1983). Most ancient symbol systems recognized the triangle as the Goddess's virginmother-crone. Yet, in another spiritual vein, Gnostics signified the triangle as creative intellect. We soon realized how other women artists have used the triangle as a symbol of women, with Judy Chicago's The Dinner Party being the most familiar. The triangle asserts the trinity of life for each of us as we create or discover our past, present, and future, with our mind, body and soul, and with our personal, professional and political lives.

Our triangular quilt collects our stories, our experiences, our concerns of our gendered world and creates a trinity of personal, public and collaborative lives (Thurber & Zimmerman, 1997) that are held within a circle of meaning, a circle of community. The going back into our(selves) gave us a chance to come forward into our unity. LISTENING AND SHAPING AGAIN The triangular shapes within our quilt give voice to the creative intellect of each woman, within a collective of women. Symbolically draping the quilt over a rounded table represents the circle of community, the ever circling of learning in and through time. These shapes of collaboration are significant for women, and men, as they embark upon projects which seek social action through community building and collaboration. However, it is not enough to visualize these shapes and collaborations. We need to hear these collaborations through a listenercentered, connective aesthetic combined with feminist pedagogy. We need to listen, and to be listened to, as we learn to connect with one another and our environment

One of the greatest outcomes artistteachers seek is to translate understanding into action, to role model for students' collective and personal power as creators and transformers of the world. Listening to one another and ourselves within our circle has been vitally important, but the circle continues to enfold, inviting others into our circulations of practice (Irwin, Mastri, & Robertson, in press). The circle, after all, is not static, but alive with movement, circling as a spiral of learning moves through experience, understanding, judgment and responsible action (Brenneman, Jr., & Yarian, 1982, p. 50) always within hearing distance of others. Having said this, we encourage others, both men and women, teachers and students, to collaborate on artmaking projects which are listener-centred.

[Reference]

REFERENCES

[Reference]

Brenneman, Jr., W. L, & Yarian, S. 0. with Olson, A M. (1982). The seeing eye: Hermeneutical phenomenology in the study of religion. University Park: Pennsylvania State University Press.

Bresler, L (1993). Teacher knowledge and scholarly discourse in the visual arts: Drawing upon phenomenology, case study, and action research. Visual Arts Research, 19(1), 3046.

Bresler, L (1994) . Zooming in on the qualitative paradigm in art education: Educational criticism, ethnography, and action research. Visual Arts Research, 20(1),1-19.

Collins, G., & Sandell, R (Eds.). (1996). Gender issues in art education: Content, contexts, and strategies. Reston, VA National Art Education Association. Gab]ik, S. (1995). Connective aesthetics: Art after individuation. In S. Lacy (Ed.), Mapping the terrain: New genre public art (pP 74-87). Seattle, WA Bay Press. Gablik, S. (1991). The reenchantment of art.

London: Thames and Hudson. Giroux, H., & Simon, R (1989). Popular culture and critical pedagogy: Everyday life as a basis for curriculum knowledge. In H. Giroux & P. McLaren (Eds.), Critical pedagogy, the state and cultural struggle (pp. 236-252) . New York: State University of New York Press.

Irwin, R L (1997). Pedagogy for a gender sensitive art practice. In R L Irwin & K Grauer (Eds.), Reading in Canadian art teacher education (pp.247-252). Boucherville, Quebec: Canadian Society for Education through Art

Irwin, R L., Crawford, N., Mastri, IL, Neale, A, Robertson, H., Stephenson, W. (1997). Collaborative action research: A journey of six women artist-pedagogues. Collaborative Inquiry in a Postmodern Era: A Cat's Cradle, 2 (2),21-40. Irwin, R L, Mastri, IL, & Robertson, H. (in press). Pausing to reflect: Moments in feminist collaborative action research. Journal of Gender Issues in Art Education. Irwin, R L, Stephenson, W., Neale, A., Robertson, H., Mastri, IL, and Crawford, N. (1998). Quiltmaking as a metaphor Creating feminist political consciousness for art pedagogues. In E. Sacca & E.

[Reference]

Zimmerman (Eds.), Women art educators TV (pp. 100111). Boucherville, Quebec: Canadian Society for Education through Art.

[Reference]

Lippard, L (1995). Looking around: Where we are, where we could be. In S. Lacy (Ed.), Mapping the terrain: New genre public art (pp. 115-130). Seattle, WA: Bay Press. Levin, D. M. (1989). The listening self: Personal growth, social change and the closure of metaphysics. New York: Routledge. Martin, J. (1992). The schoolhome: Rethinking schools for changingfamBies. Cambridge, MA: Harvard University Press. May, W. (1993). Teachers-as-researchers or action research: What is it, and what is it for art education? Studies in Art Education, 34(2), 114-126.

Noddings, N. (1984). Caring: A feminine approach to ethics and moral education. Berkeley: University of California Press. Noddings, N. (1992). The challenge to care in schools: An alternative approach to education. New York: Teachers College Press.

Robertson, H. (1997). Unlocking the gate: Teaching for transformation as pedagogical

[Reference]

artists. Unpublished Master's Thesis, University of British Columbia, Vancouver, BC.

Sandell, R (1991). The liberating relevance of feminist pedagogy. Studies in Art Education, 32 (3),178-187.

Stein, J. (1996). Collaboration. In N. Broude, & M. D. Garrard (Eds.), The power of feminist art (pp. 226-244). New York: Harry N. Abrams.

Thurber, F., & Zimmerman, E. (1997). Voice to voice: Developing in-service teachers' personal, collaborative, and public voices. Educational Horizons, Summer, 180-186. van Manen, M. (1991). The tact of teaching The meaning of of pedagogical thoughtfulness. London, Ontario: Althouse. van Manen, M. (1994). Pedagogy, virtue and narrative identity in teaching. Curriculum Inquiry, 24(2),135-170.

Walker, B. (1983). The woman's encyclopedia of myths and secrets. San Francisco: Harper Collins.

Zimmerman, E. (1990). Issues related to teaching art from a feminist point of view. Visual Arts Research, 16(2), 1-9.

[Author Affiliation]

Rita L Irwin is an Associate Professor in the Department of Curriculum Studies, University of British Columbia. The author is indebted to Nancy

[Author Affiliation]

Crawford, Rosa Mastri, Aileen Neale, Helen Robertson, and Wendy Stephenson, whose art practices provided the inspiration for this article.

Polish author convicted of murder similar to fictional killing wins retrial

A Polish court on Thursday overturned the 25-year prison sentence of an author who was convicted of directing a murder eerily similar to a killing in a book he wrote.

The court ordered a retrial for Krystian Bala, 36, which could open within the next three months, said Witold Franckiewicz, a spokesman for the appeals court in Wroclaw. He said Bala will stay in custody on charges that he planned and directed the murder.

Franckiewicz said a three-judge appeals panel found that there is "undoubted connection between the actions of the defendant and the death of the victim" _ Dariusz Janiszewski, whom Bala had suspected of having an affair with his estranged wife.

However, the judges ruled that a new sentence should be pronounced after more evidence is gathered _ for example, on whether or not Janiszewski was dropped alive into the Odra River, Franckiewicz said.

Fishermen dragged the body of Janiszewski, a businessman, from the river in western Poland in December 2000. His hands were bound behind his back and the other end of the rope was tied around his neck.

Police were unable to find clues until a tip five years later led them to Bala's novel "Amok", written in 2003 and featuring a narrator who fatally stabs a woman after binding her hands behind her back and running the rope to a noose around her neck.

The presiding judge at Bala's original trial said when she convicted him in September that it was not clear who actually killed Janiszewski or who might have aided Bala in the crime.

However, she said the evidence overwhelmingly pointed to Bala's involvement in the events that led to Janiszewski's disappearance.

Bala said he is innocent, and filed an appeal.

Clinton Weighs Sanctions Over Taiwan Wildlife Trade

WASHINGTON Top advisers to President Clinton are recommendingthat he take the unprecedented step of imposing trade sanctionsagainst Taiwan for illegal trafficking in wildlife, administrationofficials said Wednesday.

The same interagency recommendation said that China, alsoaccused of illegal trade in rhinoceros horns and tiger bones, shouldbe spared sanctions at this time, according to the officials, whospoke on condition of anonymity.

A decision to impose sanctions would mark the first time theUnited States ever has taken such action to protect endangeredspecies. While controversial in free-trade circles, such a movewould help Clinton regain favor with environmental groups, which havebeen disappointed with some of the administration's other decisions.

The president informed China and Taiwan in November that theywould face trade sanctions unless they stemmed their trafficking inrhinos and tigers, which are listed as endangered species andprotected under the Convention on International Trade in EndangeredSpecies, or CITES. Clinton gave the two nations a March deadline.

Tiger and rhino parts are valued in Asia for medicinal purposes.

Sanctions against Taiwan would be mostly symbolic. Therecommendation is that Clinton bar only wildlife products that Taiwanexports to the United States. That covers a $22 million-a-yearmarket that includes items such as snakeskin shoes, coral andmussel-shell jewelry, tropical fish and items made from reptileskins.

The items make up a modest share of the U.S.-Taiwan trade. TheClinton administration is "not trying to start a trade war" but wantsto show Taiwan how seriously it views the endangered species issue,one official said.

Administration officials decided to deal separately with Chinaand Taiwan, partly because they have made differing degrees ofprogress toward complying with the endangered species treaty,officials said.

In addition, the question of China also included considerationof larger, sensitive bilateral issues regarding human rights andcooperation on the nuclear controversy in North Korea, officialssaid.

Wildlife experts say the rhino and tiger populations aredeclining fast and the animals could face extinction by the end ofthe century.

The number of tigers has fallen 95 percent this century, withan estimated 5,000 left. Rhinos were estimated at a population of10,000 last fall.

UN regrets undercover Cuban officials at testy news conference

The United Nations has expressed regret that undercover Cuban officials attended a U.N. news conference on human rights, where they sought information on a French journalist asking critical questions about Fidel Castro's regime.

Elena Ponomareva, spokeswoman for the global body's European headquarters, said she was unable to prevent two Cuban diplomats from entering the Oct. 11 news event with Jean Ziegler, a U.N. rights expert who was preparing for a mission to the communist-run island.

The U.N. strictly prohibits government officials from attending news conferences unless they are explicitly invited and included among those presenting. Previous run-ins have occurred with Sudanese diplomats seeking to monitor rights officials speaking about Darfur.

The Cuban officials were present for a testy exchange between the French journalist and Ziegler, who said Havana should be praised for cooperating with the global body and agreeing to allow him to report on the country's respect for the "right to food" _ Ziegler's area of expertise.

Havana refused for years to allow U.N. envoys to visit and investigate alleged rights abuses in the country, claiming that such missions would violate Cuban sovereignty.

The Cuban officials asked journalists in the room to identify the name and agency of the journalist who debated Ziegler.

When the news conference ended and Ponomareva confronted the officials, they said they were diplomats at a U.N. mission, but declined to say which country they represented.

"I can only regret this incident," she wrote in a letter to the U.N. correspondents' association in Geneva. She said she would share her thoughts with Ziegler "concerning the presence of members of the mission of Cuba at the press conference."

Cuba has not received any information or a complaint from the U.N., said Marcos Gabriel at the Cuban mission.

Ziegler _ who hailed Cuba during his 11-day mission as a world model for how it provides its people with food _ could not be reached for comment.

The Swiss sociology professor was appointed as an unpaid, independent expert by the U.N. Human Rights Council, but his views do not necessarily represent those of the global body.

His 2005 comparison of the Israeli-occupied Gaza Strip to an "immense concentration camp" drew a rebuke from the spokesman for then-U.N. Secretary-General Kofi Annan. Ziegler also has clashed with Washington over his reports on growing malnutrition in Iraq since the U.S.-led toppling of Saddam Hussein in 2003.

Casey Anthony questioned in court about legal fees

Casey Anthony told a judge Wednesday that her agreement with an attorney who is defending her against accusations she killed her 2-year-old daughter does not allow him the rights to sell her story to collect legal fees.

Prosecutors said they wanted to know if Anthony had given her defense attorney, Jose Baez, the right to sell her story. Prosecutors said such an arrangement could provide grounds for an appeal if she is convicted.

They noted in a court motion that she has limited assets to pay her defense and that such an arrangement could encourage a defense attorney to take decisions that heightened the value of that story _ rather than doing what was in the best interests of a client. In such an arrangement, a lawyer could earn money by charging for TV interviews or getting a publishing deal for a book or movie.

"We want this on the record now so that five years from now we're not back having to retry this," said Jeff Ashton, an assistant state attorney.

Circuit Judge Stan Strickland ruled that he saw no conflict of interest that would jeopardize Anthony's trial. He made his decision after a private session with Baez and prosecutors to review the lawyer's agreement with Anthony.

Baez accused the prosecutors of trying to interfere with his work, adding "I'm trying to defend this case."

Anthony is facing a first-degree murder charge after her daughter Caylee was found dead last December, months after her disappearance.

Casey Anthony has said previously that prosecutors filed their motion as retaliation because she did not agree to a plea deal for a crime she didn't commit.

Anthony had told authorities a baby sitter kidnapped Caylee, who disappeared last June. The child's body was later found in woods near her Orlando home by a utility worker.

Women's National Basketball Association

EASTERN CONFERENCE
W L Pct GB
x-Indiana 21 12 .636
x-New York 21 12 .636
x-Washington 21 12 .636
x-Atlanta 19 14 .576 2
Connecticut 17 16 .515 4
Chicago 14 19 .424 7
WESTERN CONFERENCE
W L Pct GB
z-Seattle 27 6 .818
x-Phoenix 15 18 .455 12
Los Angeles 13 20 .394 14
San Antonio 13 20 .394 14
Minnesota 12 21 .364 15
Tulsa 5 28 .152 22

x-clinched playoff spot

z-clinched conference

___

Friday's Games

Washington 75, New York 74

San Antonio 75, Indiana 61

Connecticut 78, Chicago 71

Seattle 78, Phoenix 73

Los Angeles 98, Minnesota 91

Saturday's Games

Chicago at Tulsa

Los Angeles at Seattle

Peggy made her dream come true

On Saturday glasses of champagne will be raised to a former Bathresident whose single-minded campaigning changed the lives of manyAlzheimer's sufferers and their carers in and around the city.

Exactly 10 years ago this weekend a new centre was opened inBath that would, in the years ahead, give hundreds of carers andAlzheimer's sufferers a bit of a breathing space. The Peggy DoddCentre in Summer Lane, Combe Down, also helps provide interest and ashape to the week for people with this disease.

On Saturday a private champagne tea will be held at the centrewhere a glass of bubbly will be raised to Peggy herself and the workshe started. Although the centre has been open for a decade, Peggy's work began many years previously.

Mary King, who has just retired as chair of the Friends, saidthat Peggy's crusade on behalf of carers and Alzheimer's sufferersstarted after a harrowing experience with her own husband early inhis illness. Little did Peggy know, though, where her campaign topersuade friends and acquaintances to become sitters for those inneed would eventually lead.

Peggy was at the forefront of the movement that helped topersuade the public that Alzheimer's was an illness in its own rightand not just senile dementia that could be swept under the carpet.

As Peggy mobilised her friends it became clear that there was ahuge amount of work to be done in Bath. It became clear too thatsome sort of centre was needed.

In 1983 there was a modest start in the St Michael's Centre nextto the Little Theatre on two and a half days a week when suffererscould be looked after while their carers were free for a few hoursto do shopping or just have some time to themselves.

Later accommodation on three days a week became possible atRosemary Lodge.

Providentially Rex Oakes a former Cheshire Homes warden retiredat the same time that the University of Bath moved its medicalengineering department up to the RUH.

So in 1988 Support for Relatives of the Elderly Mentally infirmmoved into the old premises.

Kathy Wilson became the first full-time manager.

Over the next few years there were various attempts to providefurther places but for one reason or another they provedunworkable.

But with difficulties over the future of their first home theymoved again to St Martin's Hospital but later on a small committeewas formed that began looking at other possibilities for a buildingthat would provide secure tenure for the long term.

They looked at an old school in Widcombe, a car showroom onWellsway and a large house in Wells Road but none was suitable.

They found the former Combe Down Holiday Home but that was toolarge and too expensive. Then at last there was the Royal SmithfieldClub, which wanted to downsize, and offered to let the ground floorof Brierley House in Summer Lane. And so the problem was solved atlast.

A deal was clinched and Peggy Dodd's dream became a reality. As aresult, lottery grant and trust money began flowing in and Supportfor people with Alzheimer's - or SPA for short - hasn't looked backsince.

The centre can be contacted on 01225 835520.

BMW says U.S. sales down more than 22 percent in January

Luxury automaker BMW AG said Monday that its U.S. sales in January were nearly a quarter lower than a year earlier, blaming the drop on low inventory levels after a strong pre-Christmas performance.

The Munich-based automaker said it sold 16,935 cars in the U.S. last month, down 22.4 percent from the 21,811 it sold in January 2007.

The dip, which the company said was expected, was attributed to lower than normal inventory levels because of stronger sales in December, along with increased demand for its all-wheel-drive cars.

Monthly sales of the company's BMW-branded cars fell 28.8 percent to 11,053 from 15,528 a year earlier, while sales of its BMW Sports Activity Vehicles were down 19.2 percent to 3,422, compared with 4,233 in 2007.

The company's Mini USA unit, however, reported a 20 percent rise in sales, with 2,460 cars sold _ up from 2,050 last year.

BMW shares were up 2.2 percent to euro38.28 (US$56.77) in Frankfurt.

Monday, March 12, 2012

Senator rebukes Kenya's corruption

NAIROBI, Kenya -- Sen. Barack Obama delivered a lecture on Mondayagainst graft and patronage hiring, ethnic-bloc voting that does notyield the best and brightest government leaders, and politicalfamilies who hoard the spoils of power.

But his focus was not the scandals surrounding Chicago's City Hallor public corruption probes in Springfield. Or the political tribesof Madigan, Stroger, Hynes and Daley.

Rather, at the University of Nairobi in a speech televised live,Obama used the platform he has as the wildly popular son of a Kenyanto tell this nation their freedom is jeopardized by publiccorruption.

"My own city of Chicago, Ill., has been the home of some of themost corrupt local politics in American history over the years,"Obama said, "from patronage machines to questionable elections."

While government corruption is a "problem" in the United States,it is not at the epidemic levels it is in Kenya, Obama said. "Here inKenya, there is a crisis -- a crisis that's robbing an honest peopleof the opportunities they fought for."

Kenyan President Mwai Kibaki ran on an anti-graft platform in 2002but the government still has an international reputation as corrupt.

ETHNIC POLITICS 'HAS TO STOP'

Obama did not mention Kibaki by name in his speech, but raisedconcerns about Kenya's slow walk to a transparent and open governmentwhen they met last Friday.

In a nation where ethnic identity is defining for many, Obama -- aLuo -- said "ethnic-based politics has to stop."

It was reminiscent of his 2004 Democratic Convention speech wherehe urged the United States not to be divided between red (Republican)and blue (Democratic) states.

Kenyans vote along tribal lines; the winners, from the morepopulous groups, hand out patronage to their own.

"I have to tell you, that as someone who lives outside of Kenya,the notion that at this stage in the nation's development there wouldstill be politics primarily based on arguments between Luo, Kikuyu,Kamba and Maasi doesn't make any sense," said Obama, ticking off thenames of the larger groups.

"Maybe if everybody was rich, we could afford to have thesearguments."

On Friday, Obama complained to Kibaki that Chicago TV crews wereshaken down at customs. In Monday's edition of the Daily Nation,Kenya's government ran an ad with Obama's name in the headline,calling corruption allegations "unfounded." The ad states customsreceipts were issued. However, the CBS2 team in Kenya, MichaelFlannery and Marcus Richardson, said they were never issued areceipt. Government spokesman Alfred Mutua gave them their paperworkwhen they went to interview him Monday, Flannery said.

APPEARS WITH CANDIDATE

Obama appeared with opposition leader Raila Odinga -- a Luorunning for president -- at stops on Saturday in his father's nativedistrict.

Mutua, in the CBS2 interview, said Obama may have been caught upin ethnic politics with Odinga "using Sen. Obama as his stooge, ashis puppet."

e-mail: lsweet@suntimes.com

Allianz's earnings down 46 percent in 2nd quarter

German insurer Allianz SE says its net earnings dropped 46 percent in the second quarter as lower realized gains outweighed higher revenues and operating profit.

Allianz said Friday that it earned (EURO)1.02 billion ($1.34 billion) in the April-June period, down from (EURO)1.87 billion a year earlier.

Revenues rose 14.5 percent to (EURO)25.4 billion from (EURO)22.2 billion. Operating earnings were up 22.7 percent to (EURO)2.19 billion from (EURO)1.79 billion.

However, Allianz said income tax expenses rose and unrealized gains increased by (EURO)468 million.

The Munich-based company said it is confident that it can achieve its aim of full-year operating profit of about (EURO)7.2 billion.

Colorado Raid Angers Family

An armed law enforcement team broke down the door of a family home with a battering ram and took an 11-year-old to a hospital after authorities feared he was not getting proper medical care for what turned out to be a minor head injury.

Garfield County's All Hazards Response Team raided the home Friday night, a day after Jon Shiflett fell after grabbing the handle of a moving car. Someone _ possibly a neighbor _ called paramedics.

Jon's father, Tom Shiflett, 62, told paramedics he didn't want them to treat Jon and asked them to leave. He told them he had served as a medic in Vietnam and he had the skill to treat his son.

Caseworkers who later visited the family reported seeing injuries that included a "huge hematoma" and a sluggish pupil. They went before a judge seeking a search warrant and order for medical treatment, citing affidavits from the ambulance crew.

Following the raid, a doctor recommended Jon be given fluids, Tylenol and ice to treat the bruises, according to a copy of the child's patient aftercare instructions.

"Inappropriate is not nearly strong enough a word. It was gross irresponsibility and stupidity," said Ross Talbott, owner of the Apple Tree Mobile Home Park south of New Castle, who rents to the Shifletts and who witnessed the raid. "Is this Russia? I don't know what we're coming to when they think your kid needs medical help and they send a SWAT team."

Garfield County Director of Social Services Lynn Rennick said her office is legally required to intervene when it receives a report about possible mistreatment of children, and that court orders are sometimes necessary. She wouldn't discuss any specific case.

The child was returned to the family at about 2:30 a.m. Saturday, hours after the raid.

"In all, there was not one shred of evidence found that we had done anything wrong or that Jon had not been properly cared for at home," said Tina Shiflett, Jon's mother.

Prevalence and Outcomes of Pharmaceutical Industry-Sponsored Clinical Trials Involving Clozapine, Risperidone, or Olanzapine

Objective: The literature continues to highlight the debate on the ethics and merits of trials sponsored by the pharmaceutical industry. This study attempts to determine the prevalence and outcomes of industry-sponsored trials involving clozapine, risperidone, or olanzapine.

Methods: We searched the literature from January 1, 1990, to December 31, 2001, to capture all eligible clinical trials involving clozapine, risperidone, or olanzapine. The primary outcome measured was the clinical outcome of industry-sponsored studies. Secondary outcome measures included the following parameters: disclosure of any sponsorship and financial support, author(s) employed by the industry, use of comparator drug(s) within the trial, sample size, blinding, and use of placebo.

Results: The database comprised 372 articles. Of these trials, 124 (33.3%) were sponsored by the pharmaceutical industry. In general, trials sponsored by Eli Lilly or Janssen had better research design than trials not funded by the pharmaceutical industry. With regard to authorship, more trials funded by Eli Lilly (74.6%) were coauthored by an employee of the company, compared with trials funded by either Janssen (23.3%) or Novartis/Sandoz (5.6%). Further, more trials sponsored by Eli Lilly reported positive outcomes (92.1%), compared with Janssen-sponsored trials (88.4%) and Sandoz/Novartis-sponsored trials (72.2%). No negative results were reported in any of the industry-funded trials.

Conclusions: One-third of the published clinical trials involving clozapine, risperidone, or olanzapine were funded by their respective manufacturer. The reported outcomes of the sponsored trials highly favour the manufacturer's product.

(Can J Psychiatry 2004;49:601-606)

Information on funding and support and author affiliations appears at the end of the article.

Clinical Implications

* More than ever, clinicians are developing partnerships with the pharmaceutical industry for the purpose of participating in clinical trials.

* Trials sponsored by the pharmaceutical industry are often of higher quality than publicly funded studies.

* Outcomes of pharmaceutical industry-sponsored trials highly favour their own product.

Limitations

* Although every effort was made to obtain all articles from the literature search, this was not possible.

* It is possible that disclosure of funding and conflicts of interest were underreported.

Key Words: clinical trials, conflict of interest, research support

Clinical trials are widely accepted as invaluable tools providing evidence-based guidance to practising clinicians. Ideally, when clinical trials are designed, investigators should pose scientific questions that primarily intend to make available better and safer treatments for a target population. When properly conducted, these clinical trials become the cornerstones for evidence-based medicine, which is the standard of care in most medical practices. Evidence-based medicine has been defined as "the conscientious, explicit and judicious use of current best evidence in making decisions about the care of individual patients" (1). Within this context, best evidence is derived from clinical trials (that is, external evidence) that have been critically appraised for validity and importance.

Since the introduction of the atypical antipsychotics into the clinical practice of psychiatry, clinical trials have increased in number, size, and of course, cost. With limited private funding available to conduct independent studies, it is not surprising that the number of clinical trials sponsored by the pharmaceutical industry continues to grow. It follows that there should also be an increase in the number of partnerships developed between the pharmaceutical industry and clinicians or academics. Although skepticism in regard to this alliance has been and continues to be expressed, the many benefits of the new reality have also been acknowledged. This study investigates the prevalence and outcomes of pharmaceutical industry-sponsored clinical trials involving the atypical antipsychotics clozapine, risperidone, and olanzapine.

Methods

We initially searched the literature on all 3 of these antipsychotics by subject and key word between January 1, 1990, and December 31, 2001. This covers the period from clozapine's introduction into the North American market (1990) to the time of our study (2002). Next, we exploded the phrase "schizophrenia and disorders with psychotic features" in Medline. This search was then limited to the different types of clinical trials (that is, phase I, phase II, phase III, or phase IV; controlled; multicentre; and randomized). We then set a final limit by human and English language and compiled all trials found within the search. We excluded review articles, letters, metaanalyses, and irrelevant studies that did not directly involve clozapine, risperidone, or olanzapine in the study protocol.

All journal articles were assigned a unique identifier code. A total of 614 articles were captured from 71 journals. Of these 614 articles, 414 met the criteria for the study. We obtained journal articles not available in our library through DOCLINE, the National Library of Medicine's automated interlibrary loan request routing and referral system. DOCLINE serves over 3200 US, Canadian, and Mexican medical libraries at no cost. Unfortunately, we were unable to retrieve 42 of the eligible trials via DOCLlNE. This left us with 372 trials to analyze.

The primary outcome measured was the clinical outcome of industry-sponsored studies. We reviewed and rated these sponsored articles with the use of a classification system that we derived a priori (Table 1). We classified the outcome of each study as positive, neutral, or negative with respect to the study drug of the sponsoring company. secondary outcome measures included the following parameters: disclosure of any sponsorship and financial support, authors employed by the industry, use of comparator drugs within the trial, sample size, blinding, and use of placebo.

To realize the objective of this study, we are justified in employing a qualitative approach that tends to be synthetic rather than analytic. Unlike deductive research, it does not start with preconceived notions or hypotheses. The intent is simply to determine the prevalence and outcomes of pharmaceutical industry-sponsored clinical trials. As such, we have refrained from doing statistical analyses, because we do not believe that there is any benefit in depicting significant differences among the various companies and (or) drugs.

Results

Of the 372 eligible (and obtainable) trials, 248 (66.7%) were conducted without financial assistance from the pharmaceutical industry (Table 2). Of the remaining trials, 63 (16.9%) were sponsored by Eli Lilly, 43 (11.6%) by Janssen, and 18 (4.8%) by Sandoz/Novartis. The cumulative sample sizes were 784 for the Sandoz/Novartis-sponsored trials, 6394 for the Janssen-sponsored trials, 37 365 for the Eli Lilly-sponsored trials, and 26 692 for the nonindustry-sponsored trials. Figure 1 gives the years in which these trials were published.

Our study found some differences with respect to study design. For example, some form of blinding in the protocol was found more often in trials sponsored by Eli Lilly (69.8%). Next were Janssen-sponsored trials (46.5%), nonindustry sponsored trials (28.6%), and Sandoz/Novartis-sponsored trials (22.2%) (Table 2). To give another example, a greater proportion of the Janssen- and Eli Lilly-sponsored trials included a placebo control in their design (30.2% and 27.0%, respectively), compared with nonindustry-funded trials (15.7%) or trials funded by Sandoz/Novartis (5.6%). Finally, the use of another atypical agent as a comparator was most often found in the Eli Lilly-sponsored trials (28.6%), followed by Janssen-sponsored trials (14.0%), nonindustry-sponsored trials (12.5%), and Sandoz/Novartis-sponsored trials (5.6%).

Apart from elements of research design, we also examined authorship and study outcomes. In this regard, trials sponsored by Eli Lilly were more likely to have authors affiliated with the industry (74.6%), compared with trials sponsored by either Janssen or Sandoz/Novartis (23.3% and 5.6% respectively). Further, trials sponsored by Eli Lilly reported more positive outcomes (92.1%), compared with Janssen-sponsored trials (88.4%) and Sandoz/Novartis-sponsored trials (72.2%). No negative results were reported in any of the industry-funded trials.

As mentioned in the methods section, we found the trials represented in the data set within 71 different journals. Since it is not practical (nor of any benefit) to list the number of trials published in each journal, we decided only to cite the journals that published more than 10 trials (Table 3). We found the most sponsored trials in The Journal of Clinical Psychiatry (n = 27), followed by The American Journal of Psychiatry (n = 17), and the Journal of Clinical Psychopharmacology (n = 17). Similarly, we also found the greatest number of nonsponsored trials in The Journal of Clinical Psychiatry (n = 26), followed by The American Journal of Psychiatry (n = 20) and Psychopharmacology (n = 19).

Discussion

With its primary responsibility being to generate profits for shareholders, is it possible for the pharmaceutical industry to design clinical trials objectively, let alone coordinate them and analyze the resulting data? This question has been debated intensely and remains a highly contentious issue. Without question, it is essential for the reader of any trial to know the source of its funding. However, equally important is knowing whether any conflicts of interest exist among the investigators and authors of the trial. In this regard, conflict of interest includes any financial or personal relationships with other persons or organizations that could inappropriately influence or bias their actions (2). Identified conflicts of interest include grant support, consulting to companies, membership on advisory boards, speaking engagements, gifts, samples, patent and royalty arrangements, authorship of ghostwritten manuscripts, conference travel, funding of continuing medical education, honoraria, and equity interest in a company. Although full disclosure of these types of relationships between investigators and the industry appears justified and essential, it is not always mandatory. Some even suggest that disclosure of any conflict of interest should be extended to include the author's institution, the reviewers of the study, and even the publishing editor (2). Failure to disclose any conflict of interest, such as financial support, would breach the publication requirements of many journals. Although our study was not designed to determine whether breaches occurred with respect to disclosing financial support, we were suspicious in some cases. For example, no funding was disclosed in 6 trials wherein an author was affiliated with a particular company.

As do other studies (3-5), our data indicate that trials sponsored by the pharmaceutical industry are often of higher quality than their publicly funded counterparts. In this regard, our data revealed that trials sponsored by Janssen and Eli Lilly were more likely to be blinded, to have a placebo control, and to have a larger sample size (data on file) than trials that were not sponsored by the pharmaceutical industry. Although these elements of study design are intended to reduce bias and increase the validity of the results, it is also recognized that improper use of a placebo control can increase the probability of producing results favouring the intervention. Halpern and Karlawish state that the industry may prefer to use a placebo control because such studies are frequently less expensive (requiring smaller sample sizes) and because regulatory agencies imply that interventions compared with placebo may be more favourably reviewed (6). The relatively low proportion of blinded studies sponsored by Sandoz/Novartis may be explained by the fact that clozapine was introduced as a treatment only for those patients who had not responded to prior therapy. For this reason, using placebo control subjects was not deemed necessary (or ethical), and patients likely served as their own control subjects. Obviously, the ethical issue of placebo use is beyond the scope of this manuscript; it has been addressed elsewhere (7).

Our data indicate that a relatively high proportion of industry-sponsored trials have outcomes that favour their own manufactured and marketed product. Eli Lilly shows the highest proportion of trials with positive outcomes (92.1%), followed by Janssen and Sandoz/Novartis (88.4% and 72.2%, respectively). These findings are consistent with the findings of other investigators who have also reported a particularly high proportion of industry-sponsored research reporting positive results (8-10). Perhaps explaining this observation in part is the fact that clinicians participating in industry-sponsored trials are in most instances under contractual obligations that may limit their access to and control of the data. Often, contracts between the industry and study clinicians contain a clause stipulating that the industry has the final decision as to whether the data will be submitted for publication (11). Regrettably, this arrangement has resulted in the delay and (or) the suppression of valuable clinical data, the extent of which we may never know (12-14). This calls into question the validity of evidenced-based treatment decisions that may be based on an incomplete record of published data. Clearly, it is not desirable that the sponsoring agency completely control the data, along with its analysis and interpretation.

The question of clinical equipoise also deserves comment. By definition, clinical equipoise involves an a priori state of uncertainty or disagreement among experts as to which of 2 or more interventions should be favoured for a particular population (15,16). In other words, to be faithful to the ethical doctrine of equipoise, a randomized controlled trial can only enrol subjects if there is considerable uncertainty about which of the trial treatments would benefit a patient most. Consequently, if true clinical equipoise exists, the outcomes of trials comparing an intervention and standard treatment would be 50/50. Unfortunately, owing to the a priori nature of clinical equipoise, it is extremely difficult (if not impossible) to retrospectively acertain whether this principle was upheld in the trials we assessed. Nonetheless, with plenty of data demonstrating the clinical advantages of the atypical antipsychotics over haloperidol (considering benefit and harm), one may query the a priori state of uncertainty of more recent study designs that continue to include haloperidol as an intervention supposedly representing standard of care. However, it is perhaps ironie that a recent study reported that olanzapine did not demonstrate clinically significant advantages, compared with haloperidol(17).

The results of our study need to be interpreted within the context of its limitations. First, we suspect that the disclosure of funding and the disclosure of authors' industry affiliations is underreported. second, most of the articles were rated by only a single investigator, and hence, bias is possible with respect to assessing the outcomes of the trials. However, a second, and sometimes a third, investigator reviewed the article whenever the trial outcome was questionable. Finally, even though every effort was made to obtain all articles identified from the literature search, this was not possible. As noted above, of the 414 eligible articles, we were unable to acquire 42 (10.1%) through DOCLINE.

Our intent in this paper is not to question the ethics of the pharmaceutical industry, nor is it to assume the integrity of the clinicians and academics who participate in clinical research. With reference to the latter, it is easy to list various factors that may lead researchers into unethical circumstances. These include ambition, financial gains, peer pressure, career opportunities, and the need to publish. Further, biases, errors, misunderstanding, and fraud have all been described in various clinical trials settings (18,19). On this point, it should also be noted that publicly funded studies are not exempt from biases perceived as unique to industry-funded trials (20). No doubt, the pharmaceutical industry will continue to influence not only the process of clinical science but also the practice of clinical medicine. Although skepticism exists regarding collaborative relationships between clinicians and industry, the fact cannot be ignored that this alliance or partnership has also contributed immense and immeasurable benefits to practitioners and patients alike. Let us not lose sight of the fact that industry-sponsored research has provided new classes of compounds which have significantly improved the survival rate and quality of life of countless individuals. Notwithstanding this, clinicians, academics, and the pharmaceutical industry are responsible for safeguarding and preserving the scientific integrity of medical practice by focusing on the patient's best interest.

R�sum� : La pr�valence et les r�sultats de l'industrie pharmaceutique - essais cliniques commandit�s utilisant la clozapine, la risp�ridone ou l'olanzapine

Objectif : La documentation pr�sente toujours le d�bat sur l'�thique et les m�rites des essais commandit�s par l'industrie pharmaceutique. Cette �tude tente de d�terminer la pr�valence et les r�sultats des essais commandit�s par l'industrie qui utilisent la clozapine, la risp�ridone ou l'olanzapine.

M�thodes : Nous avons recherch� la documentation du 1^sup er^ janvier 1990 au 31 d�cembre 2001 pour rep�rer tous les essais cliniques admissibles qui utilisaient la clozapine, la risp�ridone ou l'olanzapine. Le premier r�sultat mesur� �tait le r�sultat clinique des essais commandit�s par l'industrie. Les r�sultats secondaires mesur�s incluaient les param�tres suivants : la divulgation de tout commanditaire et appui financier, le ou les auteurs employ�s par l'industrie, l'utilisation de m�dicament(s) comparateur(s) durant l'essai, la taille de l'�chantillon, le double aveugle et l'utilisation d'un placebo.

R�sultats : La base de donn�es comportait 372 articles. Parmi ces derniers, 124 (33,3 %) �taient commandit�s par l'industrie pharmaceutique. En g�n�ral, les essais commandit�s par Eli Lilly ou Janssen avaient une meilleure m�thodologie que les essais non commandit�s par l'industrie pharmaceutique. En ce qui concerne les auteurs, davantage d'essais commandit�s par Eli Lilly (74,6 %) avaient un employ� de la compagnie comme co-auteur, comparativement aux essais commandit�s soit par Janssen (23,3 %) soit par Novartis/Sandoz (5,6 %). En outre, davantage d'essais commandit�s par Eli Lilly d�claraient des r�sultats positifs (92,1 %), comparativement aux essais commandit�s par Janssen (88,4 %) et Novartis/Sandoz (72,2 %). Aucun essai commandit� par l'industrie ne d�clarait un r�sultat n�gatif.

Conclusions : Un tiers des essais cliniques publi�s utilisant la clozapine, la risp�ridone ou l'olanzapine �taient financ�s par leur fabricant respectif. Les r�sultats d�clar�s des essais commandit�s sont extr�mement en faveur du produit du fabricant.

[Reference]

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12. Blumenthal D, Campbell EG, Anderson MS, Causino N, Louis KS. Withholding research results in academic life sciences: evidence from a national survey of faculty. JAMA 1997;277:1224-8.

13. Luritsen K, Havelund T, Laursen LS, Rak-Madsen J. Witholding unfavourable results in drug company sponsored clinical trials. Lancet 1987;1:1091.

14. Vogel G. Publishing sensitvie data: who calls the shots? Long-suppressed study finally sees light of day. Science 1997;276:525-6.

15. Freedman B. Equipoise and the ethics of clinical research. N Engl J Med 1987;317:141-5.

16. Lilford RJ, Jackson J. Equipoise and the ethics of randomization. J R Soc Med 1995;88:552-9.

17. Rosenheck R, Perlick D, Bingham S, Liu-Mares W, Collins J, Warren S, and others. Effectiveness and cost of olanzapine and haloperidol in the treatment of schizophrenia: a randomized controlled trial. JAMA 2003;290:2693-702.

18. DeMets DL. Distinctions between fraud, bias, errors, misunderstanding, and incompetience. Control Clin Trials 1997;18:637-50.

19. Hagmann M. Cancer researcher sacked for alleged fraud. Science 2000;287:1901-2.

20. Dicersin K, Min YI. NIH clinical trials and publication bias. Online J Curr Clin Trials 1993. Doc 50.

[Author Affiliation]

Ric M Procyshyn, PhD1, Anthony Chau, BScPharm2, Patricia Fortin, MLS3, Willough Jenkins2

[Author Affiliation]

Funding and Support

Dr Procyshyn has been on advisory boards for Janssen-Ortho Pharmaceuticals, Eli Lilly, GlaxoSmithKline, and Astra Zeneca. He has received honoraria from Janssen-Ortho Pharmaceuticals, Eli Lilly, GlaxoSmithKline, and Astra Zeneca for providing continuing education lectures. He has received grant support from Janssen-Ortho Pharmaceuticals and Eli Lilly. He has received funding for conference travel from Janssen-Ortho Pharmaceuticals and Eli Lilly.

[Author Affiliation]

Manuscript received October 2003, revised, and accepted January 2004.

1 Research Psychopharmacologist, Division of Research, Riverview Hospital, Port Coquitlam, British Columbia; Adjunct Professor, Faculty of Pharmaceutical Sciences, The University of British Columbia, Vancouver, British Columbia.

2 Pharmacy Student, Faculty of Pharmaceutical Sciences, The University of British Columbia, Vancouver, British Columbia.

3 MSc Candidate, School of Health Information Science, University of Victoria, Victoria, British Columbia.

Address for correspondence: Dr RM Procyshyn, 422 Henry Esson Young Building, Riverview Hospital, 500 Lougheed Highway, Port Coquitlam, BC V3C4J2

e-mail: rprocyshyn@bcmhs.bc.ca

Nicaragua blasts US's decision to hold back aid

Nicaraguan President Daniel Ortega is accusing the U.S. of "taking bread" from the poor by holding back aid.

The U.S. said this week it will continue delaying some $64 million in development aid because of an election dispute in the Central American nation.

Ortega's leftist Sandinistas won a majority of mayorships in the November vote. He defends the election as fair, but the opposition argues that it was fraudulent.

The president said Friday that his government "will not negotiate the mayorships" his party won.

U.S. Ambassador to Nicaragua Robert Callahan said Thursday that the aid could be canceled if no resolution is found after three months.

Trainer Lukas' Derby streak in danger

Hall of Fame trainer D. Wayne Lukas' record streak of KentuckyDerby starters apparently will end this year.

Lukas has saddled a horse in the Derby for 20 consecutive years,starting with Partez in 1981. But his best chance this year,Turnberry Isle, finished sixth Saturday in the Lexington (Ky.) Stakesat Keeneland.

"He didn't pick up the bridle and show an effort to run," Lukassaid Sunday. "He never ran the first three-eighths, and thatdisappointed me."

Lukas admitted he had entered horses in the Derby that probablydidn't deserve to be in the field, but he said he won't enter a horsethis year just to keep his streak alive.

"It's not about me running the horse; it's about me beingcompetitive," Lukas said. "It's not about the experience of being inthe Derby. I've run in the Derby. I've had the experience-good andbad."

Lukas has another 3-year-old colt in his barn-Buckle Down Ben-whois nominated to run in the Triple Crown races. But Lukas said BuckleDown Ben is being pointed toward the Belmont Stakes in June.

Capriati defeats Hingis

Second-seeded Jennifer Capriati ended top-seeded Martina Hingis'14-match winning streak at the Family Circle Cup by outlasting her 6-0, 4-6, 6-4 to win the title in Charleston, S.C. Capriati, who nearlysquandered a 5-1 lead in the third set, will move up to a career-high No. 4 when the new rankings are released today.

Second-seeded Gustavo Kuerten routed unseeded Hicham Arazi 6-3, 6-2, 6-4 to win the Tennis Masters Series event in Monte Carlo, Monaco.The tournament is the first major tuneup for the French Open, whichKuerten has won twice.

Kiprono wins in Rotterdam

Josephat Kiprono of Kenya won the Rotterdam (Netherlands) Marathonin a course-record-tying 2 hours, 6 minutes, 50 seconds. Defendingchampion Kenneth Cheruiyot of Kenya was second in 2:07:18. On thewomen's side, Susan Chepkemei of Kenya was timed in 2:25:45 to defeatrunner-up Masako Koide of Japan by 2:43.

Abdelkader El Mouaziz of Morocco won his second London Marathon in2:07:11. Paul Tergat of Kenya, the former world-record holder in the10,000 meters, was second in 2:08:15 in his first marathon. DerartuTulu of Ethiopia won the women's race in 2:23:57, seven secondsfaster than runner-up Svetlana Zakharova of Russia.

19-year-old boxer dies

Cresencio Mercado, a 19-year-old featherweight who collapsed afterwinning his first pro fight April 14, died of a brain hemorrhageSaturday in a hospital in Pueblo, Colo. Mercado had been in criticalcondition since collapsing in his corner after knocking out hisopponent in the first round.

Wednesday, March 7, 2012

Berlusconi wins confidence vote in Italy

Italian Premier Silvio Berlusconi's new government has easily won a vote of confidence in the lower house of parliament.

The result of the vote Wednesday was never in doubt because Berlusconi's conservatives have solid majorities in both houses of parliament. The Senate holds its vote of confidence on the government Thursday.

Berlusconi scored a commanding victory in a general election last month for his third stint in power in 14 years.

The premier outlined his program before lawmakers earlier this week. He said his government would work to return Italy to economic growth and called for dialogue with the opposition to reform the country's aging institutions.

Intimacy of rink warms feelings of Icebreakers fans.(Family Times)(Events)(Field Trips)

Chesapeake Icebreakers assistant coach Nelson Burton recalls instances where he has watched families walk into Show Place Arena for a game and tell their children: "We'll see you after the game."

"I can't imagine that happening at MCI [Center]," says Mr. Burton, referring to the home of the Washington Capitals. "You keep your eye on your children 99.9 percent of the time; you know exactly where they're at and what they're doing. Here, the parents go one way and the children go another, and they just have a great time.

"It's nice to see that, because I have children and sometimes I bring them here, and when I am coaching, I know they're OK sitting up in the stands," he says.

Such is the life of a fan of the minor-league Icebreakers, affiliates of the Tampa Bay Lightning who play in the East Coast Hockey League, a notch or two below the Capitals and the National Hockey League. Much like their baseball counterparts, the Bowie Baysox Class AA team, which plays a few miles up Route 301 during the summer, the Icebreakers specialize in offering family entertainment at bargain prices.

Taking the family to see the Wizards and Caps usually requires taking out a second mortgage, and getting tickets to the Orioles or Redskins can be next to impossible anyway. The Icebreakers, however, average only 2,500 folks at the 5,450-seat Show Place Arena, so fans usually can walk up to the ticket office on game night and get decent seats.

And with free parking and the top ticket at Show Place going for $15 - $4 below the cheapest Caps ticket - the price is definitely right. On top of that, 11 of the team's 17 remaining home games this season will be on Fridays, Saturdays or Sundays.

"The atmosphere is so friendly," Mr. Burton says. "It's so much fun for the children because so much of what the team does is oriented toward them."

That includes a promotion at just about every home game. On Feb. 6, the team is giving away sports bags to the first 1,000 fans 6 and younger, and there will be a "Salute to Dr. Seuss" on March 5.

That also includes Frostbite, the team's popular polar bear mascot, who has flocks of children following him around every game.

"You always know where he is," Icebreakers spokesman Scott Emmert says. "Just look for the crowd of kids. They just love him."

The team also encourages personal contact with fans, much more than the Caps can do. The Icebreakers have six post-game skates, where fans who bring their own skates can use the ice after the game and perhaps meet some of the players.

Icebreakers players also visit area schools to read to children, talk about the importance of education, or just involve the students in a game of street hockey.

"A lot of the time, we are done for the day by 12 and we have the rest of the afternoon off," says Earl Cronan, an Icebreakers left wing. "Personally, I would rather spend the afternoon talking to some kids in school or just giving something back. I would get bored.

"We have families coming out and rooting hard for us, and none of us are making a lot of money off of hockey right now, so the least we can do is give something back to all the people who support us," Mr. Cronan says. "That's the attitude I take to the schools and the youngsters."

Mr. Burton says the up-close view that families get at an Icebreakers game adds a dimension most fans will never get at the MCI Center.

"Here, you can see how much the players love the game and how hard they play," Mr. Burton says. "You are close enough to see them wince when they miss a pass or grimace when they hit the post [with a shot]. At the next level, most of the time you are so far away from the ice you can barely tell who's who. And the players all have helmets and masks on.

"But here, the players are close enough to high-five them when they come off the ice, and a lot of the kids like doing that."

****BOX

WHEN YOU GO:

DIRECTIONS:

Show Place Arena is off Route 4 in Upper Marlboro. Take Exit 11A off the Beltway and drive about seven miles. Signs will point to the arena, which will be on the right.

GAME TIMES:

Friday and Saturday games are at 7:30 p.m., and weeknight games start at 7. The Chesapeake Icebreakers' Feb. 14 game against Huntington starts at 2 p.m.

TICKETS:

Adult tickets are $15 and $13; tickets for children 12 and younger and seniors 55 and older are $9. The team's Web site (www.icebreakershockey.com) enables fans to print out two-for-one coupons for children's tickets for select upcoming games. Parking is free. INFORMATION:

Season/group tickets: 888/ICE-HOCKEY

Team telephone: 301/952-0300

Team address: Chesapeake Icebreakers, 14450 Old Mill Road, Suite 201, Upper Marlboro, Md. 20772.

MUST SEE:

* The Icebreakers run promotions and giveaways at just about every game. The team sponsors four post-game skate opportunities for fans the rest of the season, starting with the Feb. 14 game against Huntington (a ladies-only skate).

* The Icebreakers will hold a "Fan Appreciation Night" March 27, its next-to-last home game of the year. That night, the team will give away T-shirts to the first 1,000 fans 16 and younger, hot dogs will cost $1 all night and fans are invited to a post-game skate.

Intimacy of rink warms feelings of Icebreakers fans.(Family Times)(Events)(Field Trips)

Chesapeake Icebreakers assistant coach Nelson Burton recalls instances where he has watched families walk into Show Place Arena for a game and tell their children: "We'll see you after the game."

"I can't imagine that happening at MCI [Center]," says Mr. Burton, referring to the home of the Washington Capitals. "You keep your eye on your children 99.9 percent of the time; you know exactly where they're at and what they're doing. Here, the parents go one way and the children go another, and they just have a great time.

"It's nice to see that, because I have children and sometimes I bring them here, and when I am coaching, I know they're OK sitting up in the stands," he says.

Such is the life of a fan of the minor-league Icebreakers, affiliates of the Tampa Bay Lightning who play in the East Coast Hockey League, a notch or two below the Capitals and the National Hockey League. Much like their baseball counterparts, the Bowie Baysox Class AA team, which plays a few miles up Route 301 during the summer, the Icebreakers specialize in offering family entertainment at bargain prices.

Taking the family to see the Wizards and Caps usually requires taking out a second mortgage, and getting tickets to the Orioles or Redskins can be next to impossible anyway. The Icebreakers, however, average only 2,500 folks at the 5,450-seat Show Place Arena, so fans usually can walk up to the ticket office on game night and get decent seats.

And with free parking and the top ticket at Show Place going for $15 - $4 below the cheapest Caps ticket - the price is definitely right. On top of that, 11 of the team's 17 remaining home games this season will be on Fridays, Saturdays or Sundays.

"The atmosphere is so friendly," Mr. Burton says. "It's so much fun for the children because so much of what the team does is oriented toward them."

That includes a promotion at just about every home game. On Feb. 6, the team is giving away sports bags to the first 1,000 fans 6 and younger, and there will be a "Salute to Dr. Seuss" on March 5.

That also includes Frostbite, the team's popular polar bear mascot, who has flocks of children following him around every game.

"You always know where he is," Icebreakers spokesman Scott Emmert says. "Just look for the crowd of kids. They just love him."

The team also encourages personal contact with fans, much more than the Caps can do. The Icebreakers have six post-game skates, where fans who bring their own skates can use the ice after the game and perhaps meet some of the players.

Icebreakers players also visit area schools to read to children, talk about the importance of education, or just involve the students in a game of street hockey.

"A lot of the time, we are done for the day by 12 and we have the rest of the afternoon off," says Earl Cronan, an Icebreakers left wing. "Personally, I would rather spend the afternoon talking to some kids in school or just giving something back. I would get bored.

"We have families coming out and rooting hard for us, and none of us are making a lot of money off of hockey right now, so the least we can do is give something back to all the people who support us," Mr. Cronan says. "That's the attitude I take to the schools and the youngsters."

Mr. Burton says the up-close view that families get at an Icebreakers game adds a dimension most fans will never get at the MCI Center.

"Here, you can see how much the players love the game and how hard they play," Mr. Burton says. "You are close enough to see them wince when they miss a pass or grimace when they hit the post [with a shot]. At the next level, most of the time you are so far away from the ice you can barely tell who's who. And the players all have helmets and masks on.

"But here, the players are close enough to high-five them when they come off the ice, and a lot of the kids like doing that."

****BOX

WHEN YOU GO:

DIRECTIONS:

Show Place Arena is off Route 4 in Upper Marlboro. Take Exit 11A off the Beltway and drive about seven miles. Signs will point to the arena, which will be on the right.

GAME TIMES:

Friday and Saturday games are at 7:30 p.m., and weeknight games start at 7. The Chesapeake Icebreakers' Feb. 14 game against Huntington starts at 2 p.m.

TICKETS:

Adult tickets are $15 and $13; tickets for children 12 and younger and seniors 55 and older are $9. The team's Web site (www.icebreakershockey.com) enables fans to print out two-for-one coupons for children's tickets for select upcoming games. Parking is free. INFORMATION:

Season/group tickets: 888/ICE-HOCKEY

Team telephone: 301/952-0300

Team address: Chesapeake Icebreakers, 14450 Old Mill Road, Suite 201, Upper Marlboro, Md. 20772.

MUST SEE:

* The Icebreakers run promotions and giveaways at just about every game. The team sponsors four post-game skate opportunities for fans the rest of the season, starting with the Feb. 14 game against Huntington (a ladies-only skate).

* The Icebreakers will hold a "Fan Appreciation Night" March 27, its next-to-last home game of the year. That night, the team will give away T-shirts to the first 1,000 fans 16 and younger, hot dogs will cost $1 all night and fans are invited to a post-game skate.